Blu-ray Disc Special Features: Designing the World of Blade Runner (Exclusive to Blu-ray) Blade Runner 101 Prologues 2036: Nexus Dawn Blade Runner 101 Prologues 2048: Nowhere to Run Blade Runner 101 Prologues 2022: Blackout
Mark Watney is stranded on Mars after his crew departs the planet, thinking he's dead. He plans his survival as he rations food and builds a green house with his knowledge and expertise as a botanist.
Roman Polanski's adaptation of the Shakespearean tragedy Macbeth remains one of the most infamous for a number of reasons: the copious amounts of bloody gore, its expert use of location settings (filmed in North Wales) and Lady Macbeth's nude sleepwalking scene. Despite its notoriety, though, this does remain one of the more compelling film adaptations of the Scottish tragedy, if one of the more pessimistic takes on the story of Macbeth and his overreaching ambition. If you think the play is normally a bit of a downer, you haven't seen Polanski's bleak version of it, made in reaction to the murder of his wife, Sharon Tate, by the Manson "family". Jon Finch (Hitchcock's Frenzy) is a forceful Macbeth, bringing out the Scot's warrior instincts, and Francesca Annis is a memorable Lady Macbeth but the main thrust of the film belongs to Polanski's and noted British playwright and critic Kenneth Tynan's take on the play: extremely violent, nihilistic and visceral; this is down-in-the-dirt, no-holds-barred Shakespeare, not fussy costume drama. Pay close attention to the end, a silent coda that puts a chilling twist on all the action that has come beforehand and foreshadows more tragedy to come. --Mark Englehart
Assassin's Creed - Oscar nominee Michael Fassbender stars in this big-screen action-adventure, based on the wildly popular gaming phenomenon. Fassbender plays Callum Lynch, who experiences the life of his 15th century ancestor through a technology that unlocks his genetic memories. Callum discovers he once belonged to a secret society of assassins and amasses lethal skills to take on the oppressive Templars. Kingsman - Based upon the acclaimed comic book and directed by Matthew Vaughn (Kick Ass, X-Men First Class), the film tells the story of The Kingsman; a super-secret spy organization that recruits an unrefined but promising street kid into his agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius Prometheus - After scientists Elizabeth Shaw (Noomi Rapace, The Girl with the Dragon Tattoo) and Charlie Holloway (Logan Marshall-Green, Devil) discover mysterious cave drawings that point to the origins of mankind, they soon find themselves aboard the spaceship Prometheus, sponsored by Weyland Industries and on a journey to uncover the secrets of humanity. Overseen by the imperious Meredith Vickers (Charlize Theron, Snow White and the Huntsman), looked after by the android David (Michael Fassbender, X-Men: First Class), and backed up by a team of scientists, Shaw and Holloway arrive on the isolated moon LV-223 to discover an abandoned alien spaceship and the truth that not all is as it seems... The Martian - During a manned mission to Mars, Astronaut Mark Watney (Matt Damon) is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring the Martian home, while his crewmates concurrently plot a daring, if not impossible rescue mission. As these stories of incredible bravery unfold, the world comes together to root for Watney's safe return. Based on a best-selling novel, and helmed by master director Ridley Scott, THE MARTIAN features a star studded cast that includes Jessica Chastain, Kristen Wiig, Kate Mara, Michael Pena, Jeff Daniels, Chiwetel Ejiofor, and Donald Glover.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K [Ryan Gosling], unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard [Harrison Ford], a former LAPD blade runner who has been missing for 30 years.
The Office 10th Anniversary - Special Edition staring Ricky Gervais as the excruciatingly superb David Brent contains every episode from this ground breaking comedy and also includes a host of incredible extras.
After several years as the hottest musical director on Broadway, Bob Fosse made his film directorial debut with this movie version of his Broadway hit, which was based on Fellini's Nights of Cabiria. Shirley MacLaine is terrific as the proverbial hooker with the heart of gold, one who is convinced that she will find the right man if she just turns enough tricks. The Cy Coleman score is a solid one; the film is at its best when Fosse lets his cast of singer-dancers (which includes Chita Rivera, Paula Kelly, and Sammy Davis Jr) unleash his leggy brand of choreography. While the film suffers from stylistic excesses of the period, you can see the seeds being planted for Fosse's future musical film forays in Cabaret and All That Jazz. --Marshall Fine
Linda Hamilton (Sarah Connor) and Arnold Schwarzenegger (T-800) return in their iconic roles in Terminator: Dark Fate, directed by Tim Miller (Deadpool) and produced by visionary filmmaker James Cameron and David Ellison. Following the events of Terminator 2: Judgment Day, Terminator: Dark Fate also stars Mackenzie Davis, Natalia Reyes, Gabriel Luna, and Diego Boneta.
It feels both inaccurate and inadequate to describe The Office as a comedy. On a superficial level, it disdains all the conventions of television sitcoms: there are no punch lines, no jokes, no laugh tracks and no cute happy endings. More profoundly, it's not what we're used to thinking of as funny. Most of the fervently devoted fan base that the programme acquired watched with a discomfortingly thrilling combination of identification and mortification. The paradox is that its best moments are almost physically unwatchable. Set in the offices of a fictional Slough paper merchant, The Office is filmed in the style of a reality television programme. The writing is subtle and deft, the acting wonderful and the characters beautifully drawn: the cadaverous team leader Gareth, a paradigm of Andy McNab's readership; the monstrous sales rep, Chris Finch; and the decent but long-suffering everyman Tim, whose ambition and imagination have been crushed out of him by the banality of the life he dreams uselessly of escaping. The show is stolen, as it was intended to be, by insufferable office manager David Brent, played by cowriter Ricky Gervais. Brent will become a name as emblematic for a particular kind of British grotesque as Alan Partridge or Basil Fawlty, but he is a deeper character than either. Partridge and Fawlty are exaggerations of reality, and therefore safely comic figures. Brent is as appalling as only reality can be. --Andrew Mueller On the DVD The Office, Series 1 is tastefully packaged as a two-disc set appropriately adorned with John Betjeman's poem "Slough". The special features occupy the second disc and consist of a laid-back 39-minute documentary entitled "How I Made The Office by Ricky Gervais", with co-writer Stephen Merchant and the cast contributing. Here we discover that Gervais spends his time on set "mucking around and annoying people", and that actress Lucy Davis (Dawn) is the daughter of Jasper Carrott; as well as seeing parts of the original short film and the original BBC pilot episode; plus we get to enjoy many examples of the cast corpsing throughout endless retakes. There are also a handful of deleted scenes, none of which were deleted because they weren't funny. --Mark Walker
After befriending a British couple with a mute son, Americans Ben and Louise accept an unusual invitation to bring their daughter for a weekend at an idyllic country estate. Yet when they discover their hosts are hiding sinister motives, Ben and Louise fear their family may be pawns in a disturbing plot.Led by a riveting performance from James McAvoy (Split, Glass) as a charismatic man masking unspeakable darkness, a dream holiday warps into an unnerving nightmare in this shocking thriller from Blumhouse, producers of The Black Phone.Bonus Features:¢ Nuclear Families¢ A Horrifying Crescendo¢ The Farmhouse of Horrors
After his wife discovers a telltale diamond bracelet impresario Martin Cortland tries to show he's not chasing after showgirl Sheila Winthrop. Choreographer Robert Curtis gets caught in the middle of the boss's scheme. Army conscription offers Robert the perfect escape from his troubles - or does it?
When Karen and Fred Schouten finally conceive a child they feel it is the most important achievement of their lives. But their unborn baby develops a brain defect which means that it will only survive for a few hours after birth. Out of this tragedy however comes a gift of hope and life. For Alice and Gordon Hole whose baby will die unless he receives a heart transplant it could be the answer to a desperate prayer...
The feature debut of the great Bob Fosse based on the Broadway hit, Sweet Charity is a musical re-imagining of Federico Fellini's Nights of Cabiria, starring the wonderful Shirley MacLaine as a taxi dancer looking for love and escape in hippy-era New York. Special Features: 4K restoration Three presentations of the film: with original overture (150 mins); without overture (149 mins); and with alternative ending (145 mins) Alternative 2.0 stereo and 5.1 surround soundtrack options Audio commentary with film historians Lee Gambin, Alexandra Heller-Nicholas and Cara Mitchell (2020) The John Player Lecture with Shirley MacLaine (1971, 81 mins): archival audio recording of the celebrated actor in conversation at London's National Film Theatre From Stage to Screen: A Director's Dilemma (1969, 9 mins): original promotional film featuring interview material with Bob Fosse and rare behind-the-scenes footage The Art of Exaggeration (1969, 8 mins): original promotional film profiling the work of famed costume designer Edith Head Interview with Sonja Haney (2020, 70 mins): audio recording of the dance assistant in conversation with Lee Gambin Now and Then: Sammy Davis Jr (1968, 23 mins): archival interview featuring the actor and singer in conversation with broadcaster Bernard Braden Super 8 version: original cut-down home-cinema presentation Image gallery: publicity and promotional material Original theatrical trailer New and improved English subtitles for the deaf and hard-of-hearing
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a longburied secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.
In Freaks of Nature, we welcome you to Dillford, where three days ago, everything was peaceful and business as usual: the vampires were at the top of the social order, the zombies were at the bottom, and the humans were getting along in the middle. But this delicate balance was ripped apart when the alien apocalypse arrived in Dillford and put an end to all the harmony. Now it's humans vs. vampires vs. zombies in all-out, blood-sucking, brain-eating, vamp-staking mortal combat - and all of them are on the run from the aliens. It is up to three teenagers - one human, one vampire, and one zombie - to team up, figure out how to get rid of the interplanetary visitors, and try to restore order to this normal little town. Click Images to Enlarge
Linda Hamilton (Sarah Connor) and Arnold Schwarzenegger (T-800) return in their iconic roles in Terminator: Dark Fate, directed by Tim Miller (Deadpool) and produced by visionary filmmaker James Cameron and David Ellison. Following the events of Terminator 2: Judgment Day, Terminator: Dark Fate also stars Mackenzie Davis, Natalia Reyes, Gabriel Luna, and Diego Boneta.
The second series of the award-winning BBC2 mockudrama The Office exceeded even the sky-high standards of the first. Indeed, it ventured beyond caricature and satire, touching on the very edge of darkness. Ricky Gervais was once again excruciatingly superb as David Brent, a subtly shaded modern English comic grotesque in the desperate and self-deluding tradition of Alan Partridge and Basil Fawlty. In this series, however, Brent's to-camera assertions concerning his man-management qualities and executive capabilities are seriously challenged when the Slough and Swindon branches are merged and his former Swindon equivalent Neil takes over as area manager. To compensate Brent cultivates his pathologically mistaken image of himself as an entertainer/motivator/comedian whose stage happens to be the workplace. This culminates in a comically disastrous motivational session ending with a sing-along of Tina Turner's "Simply the Best", which is greeted, typically, with stunned, appalled silence. Meanwhile, Tim, who can only maintain his sanity by teasing the priggish, puddingbowl-haired Gareth, continues to wrestle with his yearning for receptionist Dawn, a sympathetic character persisting with a relationship with a yobbish bloke about whom she still maintains unspoken reservations. As ever, it's the awkward, reality TV-style pauses and silences, the furtive, meaningful and unmet glances across the emotional gulf of the open-plan office, that say it all here. As for Brent, his own breakdown is prefaced by a moment of hideous hilarity--an impromptu office dance, a mixture of "Flashdance and MC Hammer" as Brent describes it, but in reality bad beyond description. Then, when his fate is sealed, he at last reveals himself as a humiliated and broken man in a memorable finale to perhaps the greatest British sitcom, besides Fawlty Towers, ever made. All this and Keith too. --David Stubbs On the DVD: The Office, Series 2 is a single-disc release unlike the more generous Series 1. Extra features are enjoyable nonetheless. Ricky Gervais and Stephen Merchant feature in a gleefully shambolic video diary--highlights of which include Gervais flicking elastic bands at his cowriter and taping their editor to his swivel chair. The ubiquitous Gervais also mockingly introduces some outtakes (mostly of him corpsing throughout dozens of takes) and a series of deleted scenes, notably of Gareth arriving in his horrendous cycle shorts. --Mark Walker
Poirot (Peter Ustinov) has a set of murder suspects on a boat in the Nile after a rich heiress is killed. Can he find the culprit before they reach port?
After befriending a British couple with a mute son, Americans Ben and Louise accept an unusual invitation to bring their daughter for a weekend at an idyllic country estate. Yet when they discover their hosts are hiding sinister motives, Ben and Louise fear their family may be pawns in a disturbing plot.Led by a riveting performance from James McAvoy (Split, Glass) as a charismatic man masking unspeakable darkness, a dream holiday warps into an unnerving nightmare in this shocking thriller from Blumhouse, producers of The Black Phone.
It feels both inaccurate and inadequate to describe The Office as a comedy. On a superficial level, it disdains all the conventions of television sitcoms: there are no punch lines, no jokes, no laugh tracks, and no cute happy endings. More profoundly, it's not what we're used to thinking of as funny. Most of the fervently devoted fan base watched with a discomfortingly thrilling combination of identification and mortification. The paradox is that its best moments are almost physically unwatchable. Set in the offices of a fictional British paper merchant, The Office is filmed in the style of a reality television show. The writing is subtle and deft, the acting wonderful, and the characters beautifully drawn: the cadaverous team leader Gareth (Mackenzie Crook); the monstrous sales rep, Chris Finch (Ralph Ineson); and the decent but long-suffering everyman Tim (Martin Freeman), whose ambition and imagination have been crushed out of him by the banality of ! the life he dreams uselessly of escaping. The show is stolen, as it was intended to be, by insufferable office manager David Brent, played by codirector-cowriter Ricky Gervais. Brent will become a name as emblematic for a particular kind of British grotesque as Basil Fawlty, but he is a deeper character. Fawlty is an exaggeration of reality, and therefore a safely comic figure. Brent is as appalling as only reality can be. --Andrew Mueller The second series exceeded even the sky-high standards of the first. Indeed, it ventured beyond caricature and satire, touching on the very edge of darkness. Ricky Gervais is once again excruciatingly superb as David Brent, but in this series, Brent's to-the-camera assertions concerning his management qualities and executive capabilities are seriously challenged when the Slough and Swindon branches are merged and his former Swindon equivalent Neil (Patrick Baladi) takes over as area manager. To compensate, Brent cultivates his pathologically mistaken image of himself as an entertainer-motivator-comedian whose stage happens to be the workplace. Meanwhile, Tim, who can only maintain his sanity by teasing the priggish Gareth, continues to wrestle with his yearning for receptionist Dawn Tinsley (Lucy Davis), a sympathetic character persisting in a relationship with a man about whom she still maintains unspoken reservations. As ever, it's the awkward, reality TV-style pauses and silences, the furtive, meaningful and unmet glances across the emotional gulf of the open-plan office, that say it all here. As for Brent, his own breakdown is prefaced by a moment of hideous hilarity--an impromptu office dance, a mixture of "Flashdance and MC Hammer" as Brent describes it, but in reality bad beyond description. Then, when his fate is sealed, he at last reveals himself in a memorable finale to perhaps the greatest British sitcom, besides Fawlty Towers, ever made. --David Stubbs The brilliant and devastating comedy of The Office is brought to a satisfying conclusion in The Office Special, originally a two-part Christmas special on the BBC, set three years after the end of the faux-documentary's second season. The former office manager David (Ricky Gervais) now ekes out a desperate existence as an oblivious quasi-celebrity, making awkward, humiliating visits back to the office staff he still believes loves him. Gawky Gareth (Mackenzie Crook) has risen to manager and become a petty tyrant, while the sweet but snide Tim (Martin Freeman) continues to pine for former receptionist Dawn (Lucy Davis), who fled to Florida with her fiance. When the documentary crew pays for Dawn to return for the holiday party, an unpredictable reunion looms ahead. The Office fuses scathing humor and genuine empathy, turning excruciating social discomfort into inspired satire. Fans will find this special rewarding in all respects. --Bret Fetzer
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